{"id":6581,"date":"2013-05-10T13:00:32","date_gmt":"2013-05-10T05:00:32","guid":{"rendered":"http:\/\/www.tvsmith.my\/?p=6581"},"modified":"2013-05-10T14:44:33","modified_gmt":"2013-05-10T06:44:33","slug":"new-olympus-pen-e-p5","status":"publish","type":"post","link":"http:\/\/tvsmith.net.my\/blog\/new-olympus-pen-e-p5\/","title":{"rendered":"New Olympus Pen E-P5"},"content":{"rendered":"

Note:<\/strong><\/span> This post on the E-P5 is spread across 3 pages. Click here<\/a><\/strong> to jump to Page 2<\/a><\/strong>.<\/p>\n

Olympus today unveiled its new flagship PEN m43 camera. The PEN E-P5 is shaped after the original popular PEN series film cameras from the 60s and 70s. Under the hood of the latest digital reincarnation is a powerful slew of features. I won’t go into every aspect of its specification. You can see the specs<\/a><\/strong> here on Page 3<\/a><\/strong>. I will however highlight some of the features I like when I had a hands-on with it a few weeks ago.<\/p>\n

\"The<\/a><\/p>\n

How is it different from the OM-D (EM-5) then? Is the E-P5 even better than the OM-D?<\/strong><\/span> Answer here<\/a><\/strong><\/p>\n

Some of the notable features:<\/p>\n

1) The Wi-Fi link connects with a QR code displayed on the camera’s LCD screen. This should be quicker and less messy than traditional wireless scanning and password pairing method. You download a free Olympus App to your Android or iOS device and scan the QR code to connect. <\/em><\/p>\n

Note: For straight forward file transfer and sharing, I think the optional accessory Olympus PenPal PP-1<\/a><\/strong> bluetooth device for Android is still quite viable and fast.<\/em><\/p>\n

2) Wireless tethering with Live View on your phone. Not only that, you can focus with touch AF and trigger touch shutter release remotely, on the screen of your connected phone or tablet. A very useful feature although I suspect most users will be using it in conjunction with self pics. Beats setting the camera on tripod, clicking on self timer and running into position \ud83d\ude42 Unfortunately remote Live View is available only in Full Auto mode and not in other exposure modes such as Video.<\/p>\n

3) 1\/8000 sec mechanical shutter means better opportunities to use a fast lens wide open (if needed) here in bright, tropical Malaysia. But don’t throw away your ND filter just yet.<\/p>\n

4) Focus peaking as a focussing aid. Although I don’t use manual lenses much, many were clamouring for it.<\/p>\n

5) Time lapse \/ interval shooting programmable function and auto in-camera assembly of jpgs (ala Nikon D800) into an AVI timelapse sequence (1280 x 720 avi).<\/p>\n

6) Body is made from high quality textured metal finishing in one-piece wrap with no screws in sight.<\/p>\n

7) Interchangeable<\/del> body grips (that includes a seemingly odd wooden one which should be popular in Japan and USA<\/em>). Other Olympus-branded leather accessories like straps and cases will also be available.<\/p>\n

\"Mounted<\/a><\/p>\n

8) GPS logging in exif data when paired with a smartphone that has its GPS enabled.<\/p>\n

9) OM-D’s already legendary 5-axis stabilization is carried over with refinements.<\/p>\n

11) High quality optional VF-4 viewfinder with magnification similar to high-end full frame dSLR. It is relatively expensive though. See Price List here<\/a><\/strong> (Page 2<\/a><\/strong>).<\/p>\n

12) A \/ B Flip Switch for dual control dials means effectively there are 4 dials (that can be programmed).<\/p>\n

13) Battery is similar \/ backwards compatible with EM-5’s BLN-1.<\/p>\n

14) A pop-up flash that I can use to trigger a remote Olympus wireless flash while keeping the hotshoe and port free for other accessories.<\/p>\n

15) My wish came true; prime lenses from Olympus will be available in black instead of funny silver.<\/p>\n

\"New<\/a><\/p>\n

For Prices<\/a><\/strong> and More Pics<\/a><\/strong>, continue to Page 2<\/a><\/strong>. For Specs<\/a><\/strong>, go to Page 3<\/a><\/strong>.<\/p>\n

Note:<\/strong><\/span> This post on the E-P5 is spread across 3 pages. Back to Page 1<\/a><\/strong>.<\/p>\n

\"Olympus<\/a><\/p>\n

In Malaysia, the black and silver Pen E-P5 will be paired with a black 17mm f1.8 lens as a kit. Prices (harga) are as follows:<\/p>\n

PEN E-P5 Black (Body only) – RM 3,499 (about USD 1,176*)
\nPEN E-P5 Silver (Body only) – RM 3,499
\nPEN E-P5 Black with M.Zuiko 17mm f1.8 Black Kit – RM 4,499 (about USD 1,513*)
\nPEN E-P5 Silver with M.Zuiko 17mm f1.8 Black Kit – RM 4,499
\nPEN E-P5 White with M.Zuiko 17mm f1.8 Silver Kit – RM 4,499
\nOptional High Res Tilt-able VF-4 Viewfinder – RM 990 (about USD 331*)
\n*US $ converted at prevailing rates and provided as a guide only for international visitors. Recommended retail price and street price may be different in each country due to tax and other factors. In Malaysia, photographic equipment are sold duty free.
\n<\/em><\/p>\n

At hand, from Olympus Japan, was Mr Akira Watanabe, Manager of Olympus Imaging\u2019s SLR Planning Department to answer some of my questions. One of the things I asked him was whether Olympus actually listen to feedback on websites and forums. He was quick to say yes but clarified that they implement suggestions and wishlist on a priority basis based on a scale of importance (to them). That probably explains why some of the more clamoured features such as focus peaking and black lenses were introduced first.<\/p>\n

So what is the differentiation between the two flagships, the E-P5 and the OM-D?
\nThe OM-D is weather sealed, has an internal viewfinder, is better balanced for bigger external flash units and can fit an optional grip system. Every other feature the OM-D has is available on the E-P5 plus more, like wi-fi, 1\/8000 sec speed, pop-up built-in flash, photo story and time lapse. So yes, the E-P5 is naturally a better camera spec-wise as it is a newer release than the earlier OM-D. Since they are almost the same price (without the VF4 on the EP5), it boils down to which form factor you like.<\/p>\n

See the E-P5’s feature set<\/a><\/strong><\/span> again here<\/a><\/strong>. For Specifications<\/a><\/strong>, go here<\/a><\/strong>.<\/p>\n

It uses the same 16MP (megapixel) sensor (with possibly newer processing algo in the TruPic VI engine<\/em>) as the OM-D. But who makes the sensor? When I take a picture (as below) of top Olympus executives, instead of asking them to say cheese, I always ask them where the sensors are from. Bound to get a polite giggle and silence after that \ud83d\ude42<\/p>\n

\"No<\/a><\/p>\n

Mr Seiki Yamamoto, General Manager, Overseas Sales & Marketing Dept, Asia & Oceania (left) and Mr Akira Watanabe, Manager of Olympus Imaging\u2019s SLR Planning Department.<\/em><\/p>\n

With this, I’ll leave you with a few more images and hope to do a real-world test\/review\/samples when a full firmware version and production model becomes available in June. There is a preliminary hands-on (Touch and Try) for the public tomorrow. See Olympus Malaysia’s Facebook<\/a><\/strong> or website<\/a><\/strong> for details.<\/p>\n

\"Olympus<\/a><\/p>\n

\"All<\/a><\/p>\n

All pictures (except topmost and bottommost pic<\/em>) photographed with the Olympus OM-D EM-5 by TV Smith at the Penthouse of St Mary Residences<\/a><\/strong>.<\/p>\n

Follow me also on Instagram<\/a><\/strong> (tvsmithmy) for more pics with the OM-D and E-P5.<\/p>\n

Back to Page 1<\/a><\/strong> for Main Features<\/a><\/strong> and More Pics<\/a><\/strong>. Go to Page 3<\/a><\/strong> for Specs<\/a><\/strong><\/p>\n

<\/p>\n

Note:<\/strong><\/span> This post is spread over 3 pages: Intro<\/a> | FAQ<\/a> | <\/strong>Specifications<\/strong>
\n<\/a>
\nSpecifications of Olympus PEN E-P5:<\/strong><\/p>\n

Model name\u00a0\u00a0 \u00a0E-P5
\nVersion\/Date\u00a0\u00a0 \u00a0Ver\uff0e1.0\u3000\/\u00a0 2013\/4\/10<\/p>\n

Product type\u00a0\u00a0 \u00a0Micro Four Thirds interchangeable lens system camera
\nMemory\u00a0\u00a0 \u00a0“SD Memory Card*1\u00a0 (SDHC, SDXC, UHS-I compatible, Eye-Fi Card compatible*2 )
\n*1: Class 6 or higher is recommended for Movie shooting.
\n*2: Not compatible with Endless Memory. ”
\nScreen size\u00a0\u00a0 \u00a017.3 mm (H) x 13.0 mm (V)
\nLens mount\u00a0\u00a0 \u00a0Micro Four Thirds Mount<\/p>\n

Product type\u00a0\u00a0 \u00a04\/3 Live MOS Sensor
\nNumber of pixels \/ Aspect ratio\u00a0\u00a0 \u00a0“Number of effective pixels : Approx. 16.1 million pixels
\nTotal number of pixels : Approx. 17.2 million pixels
\nAspect ratio : 1.33 (4:3)”
\nDust reduction\u00a0\u00a0 \u00a0Supersonic Wave Filter (image sensor dust reduction system)<\/p>\n

Recording format\u00a0\u00a0 \u00a0DCF, DPOF compatible \/ Exif, PRINT Image Matching III, MPO compatible
\nFile format\u00a0\u00a0 \u00a0RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO(3D still)
\nRecording image size\u00a0\u00a0 \u00a0“[RAW] 4608 x 3456 pixels
\n[JPEG] 4608 x 3456 pixels – 640 x 480 pixels”
\nFile size\u00a0\u00a0 \u00a0“RAW: 4608(H)x3456(V) (approx. 1\/1.5 lossless compressed) Approx. 17MB
\nSet1(LF): 4608(H)x3456(V)\u00a0 (1\/4 compressed) Approx. 7.5MB
\nSet2(LN): 4608(H)x3456(V)\u00a0 (1\/8 compressed) Approx. 3.5MB
\nSet3(MN): 2560(H)x1920(V) (1\/8 compressed) Approx. 1.1MB
\nSet4(SN): 10”<\/p>\n

Type\u00a0\u00a0 \u00a0Built-in (Image sensor shift type for movie & still, 5-axis* image stabilization)\u00a0\u00a0 *yaw\/pitch\/vertical shift\/horizontal shift\/roll
\nMode\u00a0\u00a0 \u00a04 modes (S-I.S.AUTO, S-I.S.1, S-I.S.2, S-I.S.3), OFF
\nIS for Live View image\u00a0\u00a0 \u00a0Available (by half-pressing the shutter button\u3000or\u3000enlarging\u3000operation)
\nFocal length setting\u00a0\u00a0 \u00a0Available
\nAvailable manual focal length setting\u00a0\u00a0 \u00a0Input focal length : 8, 10, 12, 15, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 180, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000
\nStabilization performance\u00a0\u00a0 \u00a0“maximum 5 EV*
\n*Based on Olympus in-house measurement conditions”
\nLens\u3000IS priority\u00a0\u00a0 \u00a0Available
\nShutter speed range\u00a0\u00a0 \u00a060 – 1\/8000 sec. (Not available when Bulb or Time is selected.)<\/p>\n

Live View\u00a0\u00a0 \u00a0“Approx. 100% field of view,
\nExposure compensation preview, WB adjustment preview,
\nGradation auto preview, Face detection preview (up to 8 faces),
\nGrid line, Histogram, Magnification display (x5\/x7\/x10\/x14), ”
\nDisplay Mode\u00a0\u00a0 \u00a0Normal, Histogram, Highlight and shadow, Level guide, Off<\/p>\n

Monitor type\u00a0\u00a0 \u00a0“3.0-inch tilting monitor*
\n*Approx.1037k dots (3:2), electrostatic capacitance type touch panel ”
\nTouch control\u00a0\u00a0 \u00a0Shutter release, Enlargement, Live Guide, AF area selection, AF area enlargement, Frame forward\/backward, Enlargement playback, Super Control Panel, Art Filter selection, Scene mode selection, Wi-Fi connection
\nTilting angle\u00a0\u00a0 \u00a0“Upward tilting angle : up to 80 degrees
\nDownward tilting angle : up to 50 degrees”
\nBrightness \/ Color temperature control\u00a0\u00a0 \u00a0\u00b17 levels \/ \u00b17 levels
\nColor tone select\u00a0\u00a0 \u00a0Vivid \/ Natural<\/p>\n

AF system\u00a0\u00a0 \u00a0High-speed imager AF
\nFocus mode\u00a0\u00a0 \u00a0“Single AF (S-AF) \/ Continuous AF (C-AF)* \/ Manual Focus (MF) \/ S-AF + MF \/ AF tracking (C-AF + TR) *
\n*C-AF and AF tracking are not available with non-mFTS lenses. It works as S-AF in C-AF mode.”
\nFull-time AF\u00a0\u00a0 \u00a0Available
\nMagnified frame AF\u00a0\u00a0 \u00a0“Selectable from over 800 AF points
\nMagnification x5, x7, x10(Default), x14 selectable
\nSuper Spot AF: Selectable from center of enlarge view(0.02% – 0.16% in view image)
\nEnlarged view focus point check by magnify button*
\n*: Available with old lenses without data communication”
\nFace detection AF \/ Eye detection AF\u00a0\u00a0 \u00a0“Available \/ Available
\nEye Detection AF mode : Off \/ Nearer-eye priority \/ Right-eye priority \/ Left-eye priority”
\nFocusing point \/ Focusing point selection\u3000mode\u00a0\u00a0 \u00a035-area multiple AF
\n\/ All target, Group target area (9-area), Single target,(normal) Single target(small)
\nPeaking\u3000function\u00a0\u00a0 \u00a0“Avaliable on Fn button or Manual Focus
\nType : White edge, Black edge”
\nAF illuminator\u00a0\u00a0 \u00a0Available
\nManual focus assist\u3000\u3000\u3000 * Customize function\u00a0\u00a0 \u00a0Live View image is magnified when the focus ring is rotated. (at S-AF+MF or MF mode)<\/p>\n

“Metering system
\n(TTL Image sensor metering)”\u00a0\u00a0 \u00a0Digital ESP metering (324-area multi pattern metering), Center weighted average metering, Spot metering, Spot metering with highlight control, Spot metering with shadow control
\nMetering range\u00a0\u00a0 \u00a0EV 0 – 20 (at normal temperature, 17mm f2.8, ISO 100)
\nExposure mode\u00a0\u00a0 \u00a0“i Auto, P: Program AE (Program shift can be performed), A: Aperture priority AE,
\nS: Shutter priority AE, M: Manual, Bulb, Time, Scene select\u00a0 AE, Art Filter,
\nUnderwater wide \/ macro* , My Set
\n*Selectable from menu as a function on Fn\/Rec button
\n*My set can be set to mode dial function”
\nScene select AE\u00a0\u00a0 \u00a0Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Conv., Wide Conv., Macro Conv., 3D *\u00a0 * 3D lens(H-FT012 by Panasonic) only, still only
\nISO sensitivity\u00a0\u00a0 \u00a0“AUTO ISO : LOW(approx. 100) \u201025600 (customizable, Defalut:LOW-1600)
\nManual ISO : LOW(approx.100), 200 – 25600, 1\/3 or 1 EV steps selectable”
\nExposure compensation\u00a0\u00a0 \u00a0\u00b13 EV in 1\/3, 1\/2, 1 EV steps selectable
\nAE lock\u00a0\u00a0 \u00a0Locks at 1st release of shutter button (can be set to Fn\/Rec button)<\/p>\n

Shutter type\u00a0\u00a0 \u00a0Computerized focal-plane shutter
\nShutter speed\u00a0\u00a0 \u00a0“1\/8000 – 60 sec. (1\/3, 1\/2, or 1EV steps selectable)
\nBulb\/Time: default setting 8min.\u00a0 (1\/2\/4\/8\/15\/20\/25\/30 min. selectable)”<\/p>\n

Flash intensity control\u3000method\u00a0\u00a0 \u00a0“TTL Auto, Auto*13, Manual, Super FP*13(FP-TTL AUTO, FP-MANUAL)
\n*13: Available on the external flash”
\nBuilt-in flash\u00a0\u00a0 \u00a0TTL Flash, GN=7 (ISO100\u30fbm) \/ GN=10(ISO200\u30fbm)
\nBundled flash\u00a0\u00a0 \u00a0–
\nFlash mode\u00a0\u00a0 \u00a0Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual\uff081\/1\uff08FULL\uff09\uff5e1\/64\uff09
\nSynchronization speed\u00a0\u00a0 \u00a0“1\/320 sec. Built-in Flash*
\n1\/250 sec. External Flash*
\n*Super FP: 1\/125-1\/8000 sec.”
\nFlash intensity control\u00a0\u00a0 \u00a0Up to \u00b13 EV in 0.3, 0.5, 1 EV steps selectable
\nCompatible external flash\u00a0\u00a0 \u00a0FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R<\/p>\n

Compatible external flash\u00a0\u00a0 \u00a0FL-50R, FL-36R, FL-300R, FL600R
\nControl method\u00a0\u00a0 \u00a0“Triggered and controlled by built-in flash
\n(Olympus Wireless RC Flash system compatible)”
\nExternal Flash intensity type\u00a0\u00a0 \u00a0TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
\nChannel\u00a0\u00a0 \u00a04 channels
\nGroup No.\u00a0\u00a0 \u00a04 groups (External flash 3 groups + a built-in flash*)<\/p>\n

Sequential shooting maximum\u3000speed\u00a0\u00a0 \u00a0“[Sequential shooting H mode]*\u00a0 9.0 fps * in case of “”I.S. Off””
\n*Focus and exposure are fixed at the values for the first shot.
\n[Sequential shooting L mode]
\n4.5 fps\u00a0 in case of “”I.S. Off”” (in 5.0 seq. shooting L)
\n5.0 fps* in case of “”I.S. Off”” (in 5.0 seq. shooting L)
\n*When using the M.ZUIKO DIGITAL ED 12-50mm EZ f3.5-6.3.”
\n“Max. recordable pictures
\non sequential shooting *”\u00a0\u00a0 \u00a0“[RAW]\u00a0 Max. 18 frames (in 5 seq. shooting L),\u00a0\u00a0 Max.17 frames (in 9 seq. shooting H)
\n[JPEG]\u00a0 Unlimited consecutive shooting (in 5 seq. shooting L),\u00a0\u00a0 Max. 28 frames ( in 9 seq. shooting H)
\n* When using the M.ZUIKO DIGITAL ED 12-50mm EZ f3.5-6.3.
\n* With TOSHIBA SDHC UHS-I R95\/W90 EXCERIA”
\nSelf-timer\u00a0\u00a0 \u00a0Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5\/1\/2\/3sec.,Number of shots 1-10)<\/p>\n

Exposure bracketing\u00a0\u00a0 \u00a0“2, 3 or 5 frames in 0.3\/0.7\/1.0EV steps selectable, 7 frames in 0.3\/0.7EV steps selectable
\n*AE-BKT can be programmed to the Fn-button.”
\nISO bracketing\u00a0\u00a0 \u00a03 frames in 0.3\/0.7\/1.0EV steps selectable
\nWhite balance bracketing\u00a0\u00a0 \u00a03 frames in 2, 4, 6 steps selectable in each A-B\/G-M axis.
\nFlash bracketing\u00a0\u00a0 \u00a03 frames in 0.3\/0.7\/1.0EV step selectable
\nArt Filter bracketing\u00a0\u00a0 \u00a0“i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters selectable
\n*ART-BKT can be programmed to the Fn-button.”
\nbracketing\u3000for\u3000HDR\u3000postprocess\u00a0\u00a0 \u00a0“3 or 5 frames in 2.0\/3.0EV steps selectable, 7 frames in 2.0EV steps selectable.
\n*This function does not execute HDR processing.
\n*HDR function can be programmed to the Fn-button.”<\/p>\n

Mode (Variation \/ Effect)\u00a0\u00a0 \u00a0Pop Art (I, II \/ a.b.c.d.e.)
\nSoft Focus ( – \/ c.e.)
\nPale & Light Color (I, II \/ a.b.c.d.)
\nLight Tone ( – \/ d.)
\nGrainy Film (I, II \/ b.c.d.f.g)
\nPin Hole (I, II, III \/ d.)
\nDiorama ( – \/ d.)
\nCross Process (I, II \/ b.c.d.)
\nGentle Sepia ( – \/ a.b.c.d.)
\nDramatic Tone (I \/ b.c.d.e)\u00a0 (II\u3000\/ b.c.d.e.f.g)
\nKey Line (I, II \/ a.b.c.d.e.)
\nWaterColor\u3000(I, II \/ a.c.d.)
\nArt Effect\u00a0\u00a0 \u00a0a. Soft Focus Effect
\nb. Pin-Hole Effect
\nc. White Edge Effect
\nd. Frame Effect
\ne. Star Light Effect
\nf. B&W Effect (Yellow, Orange, Red, Green)
\ng. Pict. Tone (Sepia, Blue, Purple, Green)<\/p>\n

Type\u00a0 (Frame effect \/ Aspect & Window\u00a0\u00a0 \u00a0Standard \uff08\u2160,\u2161,\u2162,\u2163\u3000\/\u3000 a\uff0cb\uff0cc\uff0cd\uff0ce\u3000\/\u3000A\uff0cB\uff0cC\uff0cD\u3000\uff09
\nPattarn)\u00a0\u00a0 \u00a0Fun Frame \uff08\u2160,\u2161,\u2162 \/\uff0d\/\uff0d\uff09
\nFrame Effect\u00a0\u00a0 \u00a0a. \u3000White Frame
\nb. \u3000White Frame & White Edge Effect
\nc. \u3000Black Frame
\nd. \u3000White Frame & Pin Hole Effect
\nAspect\u3000\uff06Window Pattern\u00a0\u00a0 \u00a0A.\u00a0\u00a0 4\uff1a3, 2 frames
\nB.\u00a0\u00a0\u00a0 4\uff1a3, 3 frames
\nC. \u3000 1\uff1a1. 2 frames
\nD.\u00a0\u00a0\u00a0 1\uff1a1, 3 frames<\/p>\n

Recording format\u00a0\u00a0 \u00a0MOV(MPEG-4AVC\/H.264) , AVI(Motion JPEG)
\nMovie Mode\u00a0\u00a0 \u00a0[MOV]
\n”\u00a0 Full HD: 1920(H)x1080(V),\u00a0 \u300030\uff50(29.97\uff46\uff50\uff53\uff09Recording
\n20Mbps\uff08Fine) \/ 17Mbps\uff08Normal) :\u00a0 Aspect 16:9″
\n”\u00a0 HD: 1280(H)x720(V),\u00a0 \u300030\uff50(29.97\uff46\uff50\uff53\uff09Recording
\n13Mbps\uff08Fine) \/ 10Mbps\uff08Normal) :\u00a0 Aspect 16:9″<\/p>\n

[AVI Motion JPEG]
\nHD: 1280(H)x720(V), 30fps *\u00a0 Aspect 16:9
\nSD: 640(H)x480(V), 30fps *,\u00a0 Aspect 4:3
\n*Excluding some Art Filters
\nMaximum Recording Time\u00a0\u00a0 \u00a0[MOV]
\nFull HD : Approx. 29min(Normal) \/ Approx. 22min(Fine)
\nHD : Approx. 29min(Normal) \/ Approx. 29min(Fine)
\n[AVI]
\nHD : Approx. 7min*\u00a0 \/\u00a0 SD : Approx. 14min*
\n*Excluding some Art Filters
\nMovie\u3000Function\u00a0\u00a0 \u00a0“Movie Effect : One-shot echo \/ Multi-echo \/ Art fade
\nArt Filter Movie, Aperture-prioritized Movie, Shutter Speed-Prioritized Movie, Manually Shot Movie”
\nOne-push Movie Digital Conveter\u00a0\u00a0 \u00a0\u00d74*\u00a0 Avairable on Movie effect mode
\nTimeLapse Movie\u00a0\u00a0 \u00a0Available\u3000\uff08AVI Motion JPEG\u3000 1280\u00d7720\u3000,10fps)
\nImage Stabilization for Movie\u00a0\u00a0 \u00a0M-IS (Image sensor shift), Off
\nAE Lock\u00a0\u00a0 \u00a0Available
\nExposure control \uff08Movie\uff09\u00a0\u00a0 \u00a0“P: Program AE,\u00a0\u00a0 A: Aperture priority AE,\u00a0\u00a0 S: Shutter speed priority AE,\u00a0\u00a0 M: Manual,\u00a0\u00a0 Art Filter
\n* S mode and M mode : Shutter speed is limited in less than 1\/30 sec.”
\nCompression ratio\u00a0\u00a0 \u00a0Motion-JPEG Format : 1\/12(HD), 1\/8(SD)
\nFile size\u3000\u00a0\u00a0 \u00a0“MOV Format : Max 4GB
\nMotion-JPEG Format : Max 2GB”<\/p>\n

Recording format\u00a0\u00a0 \u00a0Wave Format (Stereo linear PCM\/16-bit, Sampling frequency 48kHz)
\nMicrophone\/Speaker\u00a0\u00a0 \u00a0Stereo\/Mono
\nMaximum Recording Time\u00a0\u00a0 \u00a0“Picture with Sound: 30sec.
\nMovie: depend on Movie Recording Time”<\/p>\n

White balance mode\u00a0\u00a0 \u00a0Auto WB, 7 Preset WBs, 2 Capture WBs, Custom WB(Kelvin setting)
\nWhite balance compensation\u00a0\u00a0 \u00a0\u00b17 steps in each A-B\/G-M axis\u00a0\u00a0 * Except for Custom WB
\nPreset white balance\u00a0\u00a0 \u00a0“7 preset WBs (3000K – 7500K)
\n– Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)”<\/p>\n

Colour matrix\u00a0\u00a0 \u00a0sRGB, Adobe RGB<\/p>\n

Mode\u00a0\u00a0 \u00a0i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters
\nGradation\u00a0\u00a0 \u00a0Auto, Normal, High Key, Low Key\u00a0\u00a0\u00a0\u00a0 [except Art Filters]<\/p>\n

Intereval Mode\u00a0\u00a0 \u00a0“Interval Time 1sec. – 24 Hours,\u00a0 Max 99 frames.
\nAvailable on making Time-lapse movie automatically”<\/p>\n

Number of picture \/ Function\u00a0\u00a0 \u00a02 frames \/ Auto gain, Exposing on Recorded picture(RAW)<\/p>\n

Aspect Ratio\u00a0\u00a0 \u00a04:3(Default) \/ 3:2 \/ 16:9 \/ 1:1 \/ 3:4<\/p>\n

Detection\u00a0\u00a0 \u00a02-axis<\/p>\n

Magnification\u00a0\u00a0 \u00a0x2<\/p>\n

GPS info. Function\u00a0\u00a0 \u00a0Available (by using Smartphone GPS data)
\nWireless Shooting\u00a0\u00a0 \u00a0“Live View, Rec view, Wireless touch AF shutter*, Power off
\n*Self-Timer setting.
\n*Camera function is fixed on i-Auto. ”
\nImage Share\u00a0\u00a0 \u00a0“File Type: JPEG*, MOV
\nConnect to up to 4 devices simultaneously.\u00a0 Marking function for image share.
\n*Excluding MPO file. ”
\nEasy Connection\u00a0\u00a0 \u00a0QR code setting<\/p>\n

Playback mode\u00a0\u00a0 \u00a0“Single-frame, Information display, Index display (4\/9\/25\/100 frames), Calendar, Enlargement (2x – 14x), Movie (with sound, FF\/REW\/Pause), Picture rotation (auto), Slideshow (with sound including BGM, 2 selectable slide show effects, replaceable BGM), Light Box display
\n”
\nInformation display\u00a0\u00a0 \u00a0Histogram (independent luminance \/ RGB available), Highlight\/Shadow point warning, AF frame, Photographic information, OFF<\/p>\n

Languages\u00a0\u00a0 \u00a0“34 languages selectable :
\n– English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai”<\/p>\n

My set\u00a0\u00a0 \u00a04 settings recordable \/ Available to set to mode dial.<\/p>\n

Editing function\u00a0\u00a0 \u00a0RAW development, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280×960, 640×480, 320×240), Trimming, Aspect, e-Portrait, Image Overlay, Postrecording
\nRAW picture editing\u00a0\u00a0 \u00a0“RAW development based on settings of the camera (including Art Filter, ART-BKT).
\n2 programmable settings, preview capability.”<\/p>\n

Print function\u00a0\u00a0 \u00a0Print reservation (DPOF), Direct print (PictBridge compatible)<\/p>\n

USB\/AV\/Remote controller connector\u00a0\u00a0 \u00a0Dedicated multi-connector\u00a0\u00a0\u00a0\u00a0 [USB: USB2.0 Hi-Speed,\u00a0 Video: NTSC\/PAL selectable, Optional Remote cable RM-UC1 compatible.]
\nHDMI connector\u00a0\u00a0 \u00a0Micro HDMI \uff08Type-D)
\nFlash attachment\u00a0\u00a0 \u00a0Hot shoe
\nAccessory Port 2\u00a0\u00a0 \u00a0Dedicated multi-connector\u00a0\u00a0 [for VF-2\/VF-3\/VF-4, SEMA-1, MAL-1 and PP-1.]
\nWireless LAN\u00a0\u00a0 \u00a0Built-in \uff08IEEE 802.11b\/g\/n\uff09
\nPC interface\u00a0\u00a0 \u00a0USB2.0 Hi-Speed
\nTV interface\u00a0\u00a0 \u00a0HDMI (HD\/Stereo Sound), conventional video-out (SD\/Mono Sound)<\/p>\n

Battery\u00a0\u00a0 \u00a0BLN-1 Li-ion battery (included)
\nSleep mode\u00a0\u00a0 \u00a0Available (1\/3\/5 min. off)
\nNumber of recordable pictures\u00a0\u00a0 \u00a0“Approx. 400 shots\u00a0\u00a0\u00a0 [IS ON, CIPA test standard]
\n(with BLN-1 and TOSHIBA super high-speed Class 6 SDHC 4GB card)”<\/p>\n

Dimensions \u00a0\u00a0 \u00a0“122.3\uff4d\uff4d\uff08W\uff09\u00d768.9\uff4d\uff4d\uff08H\uff09\u00d737.2\uff4d\uff4d\uff08D)
\n[CIPA guideline compliant, excluding protrusions]”
\nWeight\u00a0\u00a0 \u00a0“Approx. 420g\u00a0 [CIPA guideline compliant, with BLN-1 battery and Memory card]
\nApprox. 366g\u00a0 [body only]”<\/p>\n

Temperature\u00a0\u00a0 \u00a00 ~ +40\u2103 (operation) \/ -20 ~ +60\u2103 (storage)
\nHumidity\u00a0\u00a0 \u00a030 – 90% (operation) \/ 10 – 90% (storage)<\/p>\n

Box contents\u00a0\u00a0 \u00a0Body, Li-ion battery BLN-1, Li-ion battery charger BCN-1, USB cable, Shoulder strap, OLYMPUS Viewer 3 (CD-ROM), Instruction manual, Warranty card<\/p>\n

Back to Page 1<\/a><\/strong> of 3<\/p>\n","protected":false},"excerpt":{"rendered":"

The much awaited Olympus Pen E-P5 is launched today… Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[378,563,25,519,9,12],"tags":[1464,1465,1448,1471,1468,1469,227,437,313,438,1467,514,114,333,1466,511,312,1449,1470,188,1472,241],"class_list":["post-6581","post","type-post","status-publish","format-standard","hentry","category-events","category-instagram","category-news-commentary","category-omd","category-photography","category-tech","tag-e-p5","tag-ep-5","tag-ep5","tag-features","tag-hands-on","tag-harga","tag-launch","tag-m43","tag-micro-43","tag-micro-four-thirds","tag-new-pen","tag-oly","tag-olympus","tag-olympus-pen","tag-olympus-pen-e-p5","tag-om-d","tag-pen","tag-preview","tag-price","tag-review","tag-sample","tag-specs"],"_links":{"self":[{"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/posts\/6581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/comments?post=6581"}],"version-history":[{"count":39,"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/posts\/6581\/revisions"}],"predecessor-version":[{"id":6620,"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/posts\/6581\/revisions\/6620"}],"wp:attachment":[{"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/media?parent=6581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/categories?post=6581"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/tvsmith.net.my\/blog\/wp-json\/wp\/v2\/tags?post=6581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}