Twin Twins

Sometimes, you may want to use a tilted angle for creative effect. If you choose to slant the horizon, make it fairly obvious or it may be mistaken for sloppy framing.

One day, a hundred years from now, if this picture hang on the wall of some art gallery, an arty-farty visitor will speculate:

“The photographer wanted to convey the contrasting perspectives of urban and rural, the clash between development and conservation. The two sets of twins represent abstract symmetry but the oblique angle is a subtext of the underlying conflict…”

Actually, the reason I used the Dutch Angle here was pedestrian. I wanted to keep both the skyscrapers and the banana tree in Kampung Baru within a a single frame 🙂 There was simply no space for me to move back for a more conventional framing.

Olympus OM-D, ISO 200, f11, 1/320 sec.

Twin Twins

Afterglow

The warm and magical afterglow over Kuala Lumpur city after the sunset at 7:50 pm just now. In a long exposure, the camera sees what our eyes cannot. I didn’t even noticed the crescent moon when I was looking through the viewfinder.

Apart from composing and framing the shot, there are quite a number of things to worry about when doing a shot like this. It is always a race against time as the glow fades and hues change very fast.

A solid tripod is required. Set the ISO to the lowest value and turn off IS. Since I didn’t bring my remote release cable, I used the camera’s 2 sec timer to eliminate camera shake from the finger. I also kept the camera switched off until I am ready. This reduced potential noise from a heated-up sensor.

Olympus OM-D, ISO 200, f6.3, 4 sec

Afterglow

Giraffes In Love

Under a romantic Serengeti sunset, two giraffes stare at each other lovingly. Kuala Lumpur city is like a safari, if you open your eyes.

Yesterday, I saw two lovey-dovey construction cranes but they were like 5 kilometers from where I stood. Quickly mounted the 75-300mm (150 to 600mm) zoom lens. Turned on the 2x extender and it became a 1200mm lens effectively.

At that extreme focal length, it was almost impossible to hold steady, let alone frame accurately. With the sun setting fast, setting up a tripod may mean losing the shot. The only option was to set the camera to a fast shutter speed and fire a burst. Love is fickle.

Olympus OM-D, ISO 200, f9, 1/640 sec.

Giraffes In Love