Frame In Frame

Frame In Frame. At the Thai Buddhist Chetawan Temple in Petaling Jaya, a giant crane formed a frame. So I framed the landmark within a frame. Are you one of those who always wonder when to use the ‘Plastic Wrap Filter’ in Photoshop? Well. Here it is in action. It creates a 3D embossed surface that is shrink-wrapped. Like one one of those paintings you see at a tourist souvenir shop.

Opened officially by His Majesty King Bhumiphol of Thailand, the Thai Buddhist Chetawan Temple in PJ is not only a popular destination for Buddhists but also for tourists. I stumbled upon this renovation two days ago. The sky was a rare brilliant blue.

Frame In Frame

Surreal Nilai 3

Photographed this Afghan carpet dealer walking behind a giant banner stuck to a wall in Nilai 3. It is a bizarre, surreal town in the middle of nowhere, and a shutterbug’s dream place. You kind of half expect a tumbleweed to roll into view any time. There are more carpet and plastic flower shops in tiny Nilai 3, than anywhere in the world.

Originally, I composed this shot as a 16:9 wide image on the Olympus OM-D. The man was framed in the center. Didn’t expect it to work cropped down to a square format for Instagram. Hey! What do I know? It does. The text kind of retained its meaning too. So you never know until you try. Corner vignetting (filter) works in Instagram because it creates the illusion that the film or camera sensor was square to begin with. For foreign viewers, the words mean “Our promotion, Crazy, He (Who Is Fast) Profits!”

Surreal Nilai 3

Moon Landing

Houston, we have a problem. There may not be enough space to walk on the moon. I was driving near the Sri Gombak Mosque yesterday when I spotted a bird on the crescent above the dome. By the time I parked and walked around for an ideal angle, there were no more birds. So I waited for about 30 minutes and 5 of them flew in. A little patience is usually required for a moon landing shot 🙂

Mission Control: First I desaturated the picture (made it black and white). Then I inverted the colours to turn it into a negative image. This made the white sky became black. I then added a yellow hue. Finally, a lens flare was added to simulate the sun, as seen in space.

Moon Landing