Charcoal-fired, rotisserie-style roasting of chicken at a Ramadan bazaar. Known as Ayam Golek, the chicken is marinated with a special grandma’s recipe, as every vendor claims.
Olympus OM-D, ISO 200, f8, 1/60 sec.
Near dusk just now, the sun sets behind the dome of the Gombak Mosque. At dawn later, fasting begins for Muslims observing the month of Ramadan.
As a non-Muslim, I look forward to joining my Muslim friends for ‘breaking of fast’ meals on some of the evenings ahead. I try to fast on those days to make it more meaningful. Not always successful but I try. There will be many bazaars selling all kinds of food and I hope to share some of these images with you.
Photography Notes: The sun is so powerful that even with an 8-stop ND filter attached and at 1/4000th sec, it was barely enough to reign in its intensity. I was using a mirrorless camera with an electronic viewfinder. Never look at it directly or through the optical viewfinder of a d/slr. It can damage your eyes permanently.
Olympus OM-D, ISO 200, f16, 1/4000 sec.
The Ramadan Bazaar at Section 14 is a celebration of us. The crowd is diverse, the fashion contrasting and the food tantalising. The riot of colours, smoke and strong sun presented a wonderful photographic opportunity.
I’ve included some photography tips with this photo essay. And those who asked whether the new E-P3 carried over the legendary Olympus colours, judge for yourself…
Peaceful, Multi-Racial Assembly. Crowd queuing patiently for famous Kassim’s Popiah Basah. Popiah, a Hokkien spring roll, means ‘thin biscuit.’ I chose a wide angle lens to take in the queue curling around the back lane.
The Wizard’s Brew Is Bubbling! Smokin’ Kerang. This kind of shot is possible only when the sun gets low. So timing is important.
She Sells Sea Shells. I stuck the ultra-wide-angle lens so close that the lens misted up from the heat and smoke. An UWA exaggerates perspective and adds drama to any scene.
Going Dutch. On the other hand, a simple ‘Dutch Angle’ adds dynamism to certain scenes. Use the tilt wisely.
Sour Sun. With subjects like ice and liquid, don’t be afraid to shoot against the sun. Backlit, the drink jumps out at you.
Frame The Man. Tough but if you are patient, use people to frame a subject. See how the eyes draw you to the action.
Texting Time. Use a short tele to pick out candids but move in closer afterwards so the subjects get a chance to ask you why you were photographing them, if they want to.
All pictures photographed with the Olympus Pen E-P3 by & © TV Smith
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