Happy New Year 2014!

New Year's Eve 2014 Fireworks at KLCC

Olympus OM-D, ISO 200, f22, 10.56 sec (for pic above).

Fireworks Photography Tip 1: Juxtapose the fireworks against a landmark or skyline. A shot of fireworks alone in the sky, however nice, doesn’t say much. It could have been photographed in any city.

Fireworks Photography Tip 2: Use a speed slower than 2 seconds to maximise the flowing effect of the burst and to better capture the sparkle. It means you will need a tripod.

For users of recent Olympus cameras, just set it to Live Time in Bulb mode and watch the exposure develop on the LCD screen. Stop when you feel it is nice enough. This takes the guesswork out of shooting blind in B manual mode.

Olympus OM-D, ISO 200, f22, 6.46 sec (for pic below).

Tips On Shooting Fireworks Photos Like A Pro

Fireworks Photography Tip 3: Get your act together as fast as possible. The view gets progressively smoky after the first or second minute. After that, lingering smoke usually gets too heavy and may obscure the landmark or the fireworks itself. The smoke will also create a colour cast.

And one most important tip: Once you get your settings correct, just fire away but alternately look at the sky. Take in the beauty with your naked eyes directly, not by viewing through a viewfinder or LCD throughout. In this case, I had no choice but to look up. I was so near the epicentre that chunks of burning sulphur and hot ash were landing few inches away.

Olympus OM-D, ISO 200, f16, 3.58 sec (for pic below).

How To Photograph Fireworks

Light Is Light

I asked my friends to hold their phones around this lemon-mint drink at Lameeya. By carefully positioning the LED light from the three phones, I lit the drink as how I would in a studio. Of course in a studio, I can use a variety of light shapers, snoots and diffusers. Here with an impromptu shot at the restaurant, I used paper napkins as diffusers and my palm as a light cutter.

The takeaway here? Light is light. Once you understand how it paints your subject, you can turn the plain into something beautiful. Anywhere.

Olympus OM-D, ISO 200, f1.4, 1/400 sec.

Light Is Light

Putu Mayam

Putu Mayam is hard to photograph not because it is mostly white. The aroma of the golden brown sugar and grated coconut fluffs makes you want to drop the camera and eat it.

The South Indian (Tamil) delicacy comes in many flavours but generally the vermicelli-like strings are made from rice flour and coconut milk. In this popular street version, the dish is topped with date palm sugar and shredded coconut. I bought this from a pasar malam (night market) stall for RM 1.80 (about US 60 cents).

Olympus OM-D, ISO 200, f5.6, 1/60 sec.

Putu Mayam